I feel, in the works of Didier Faustino, an efficient synthesis, a move of feelings, desire and requirements. Its work is part of the ones where borders between art and architecture and between architecture and art disappear. He appears to be one of the most sincere and the less ambiguous people in his process; a dividing line made of indistinct times to be an architect and wishing to be an artist or to be an artist and wishing to be an architect. On the contrary, he is interested and concentrated on the idea of a “mental project”.